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Notes for a shell, Francis Ponge, bias things

Notes for a shell, Francis Ponge

bias things

The answer is two pages word police 14, it includes an introduction, problem, reading the text, a development in two games with a transition, a conclusion and an opening.

Reading the text:

A shell is a small thing, but I can excess by placing it where I find it, asked about the extent of sand. For then I will take a handful of sand and I will keep what little I have in hand after the interstices of my fingers will handle almost any yarn, I will keep some grains and each grain, and none of these grains Sandy now does appear to me more a little thing, and soon the formal shell, oyster shell or that the bastard tiara, or the "knife", impressed me as a huge monument simultaneously huge and precious, something like the temple of Angkor, St. Maclou or the Pyramids, with a significance far more strange that these men too compelling products.

If he then comes to my mind that this shell, a plate of the sea can probably be covered, is inhabited by a beast, a beast if I add to this shell replaced by imagining under a few inches of water, I leave you to guess how much will grow, intensify my feeling again, and become different from what may produce the most remarkable monuments j'évocais earlier!

The monuments of man resemble the pieces of her skeleton or any skeleton, to large bony bones: they evoke no home to their size. Cathedrals most leave out a huge crowd inform ants, and even the villa, the chateau's most lavish events for one man is still somewhat similar to a beehive or an anthill with many compartments, only one shell. When the Lord comes out of his house there is certainly less impression that when the hermit crabs lets see its monstrous clamp the mouth of the great horn that hosts it.

I consider myself to please Rome and Nimes, as the skeleton scattered by the tibia, where the skull of an ancient city living a former life, but then I have to imagine a huge colossus of flesh and bone, which did not match anything we can reasonably infer from what we learned, even for the expressions in the singular, as the Roman people or Crowd Provencal.

What I would like one day I were to glimpse such a colossus really existed, we nourish the vision somehow very ghostly, abstract only without any conviction that I shape! They make me touch his cheeks, the shape of his arm and how he raised along its body.

We have it all with the shell: we are with him into the flesh, we do not leave nature: the mollusk or crustacean are present there. Hence a kind of anxiety that multiplies our delight.

Problem:

How PONGE he shows the enormity of the man who opposes a measure that?

Extract from the study:

Thus making use of the image of the shell and the beast capita Ponge highlights the hubris, which manifests itself in human constructions ....

Map comment:

I) THE SHELL

a) The excess

b) The measure

Transition

II) THE EXCESSIVE HUMAN

a) Architecture disproportionate to the man

b) pride shown by the excess

Conclusion

Opening

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